'Unbuilding', deconstructing the built environment. Daalwijkdreef Amsterdam Zuidoost
Wallpieces: Ors vibranter wurld III 2010 . Digital C-Print on Wood . 4 x 56 x 80 cm . A. Andreas . Amsterdam 2010
::: More :::
'Unbuilding', deconstructing the built environment. Daalwijkdreef Amsterdam Zuidoost
On Gentrification
Third issue of Friction Research, a series of collective investigations on contemporary arts & media practices.
Previous issues:
Investigating Ruptures in the Art Political Grid, Nictoglobe, Volume 12 Issue 3, Amsterdam The Netherlands (2008).::: read :::
Creative Resistance: New Media as Soft Arms, Nictoglobe, Volume 11 Issue 2, Amsterdam The Netherlands(2007).::: read :::
Art is not about Communication
The following individuals and collectives have contributed to our call for submissions.
Poetry Art is not about Communication, Lawrence Upton 2009 - UK Text Participation as Kitsch, Henry Jones 2010 - USA Jacques Derrida and the Politics of Architecture, Francesco Vitale 2009 - IT Essay Generator, judsoN ^R+ 2010 - USA Paintings Skin, Biying Zhang 2010 - USA Projects Grenze, Patrick Fontana et al. 2009 - FR 204_NO_CONTENT, Darko Fritz 2007 - > NL/YU
nouns:
Focus, Belief, Communication, Course, Comprehension,
Art, Effect,
Art, Direction, Direction(s), Network,
Art, Vector, Side,
Side, Main, Interpretation, Error,
Many, Professional, Field,
Art, Senses, Thumb, Critic, Few,
World, Speech,
Extreme, Notion, Ourselves, This, World,
Push, Foreground, Curator, Metrosexual,
Power, Relation, Accumulation,
Item, Fetish, Replacement, Lust, Contact,
Capital, Distinction, Use, Exchange, Labyrinth,
Housing, Global, Warning, Transportation, Education, Sex,
Healthcare, Political, Agenda, Value, Object,
Control, Prison, CCTV, Market,
Non-Smoking Area, Public,
Everybody, Part, Communication,
World, Facebook, Twitter, About, Their,
Spaces, Google, Anxious, Need, Each, Other, Labour,
Stop, Thinking, Leisure, Subject, System,
Aesthetics, Teleologics.
verbs:
To problematize, To invent, To economize, To force, To capitalize,
To inject, To reject, To subject, To object, To maintain, To remain,
To insult, To consult, To solve, To dissolve, To involve, To revolve
To explode, To implode, To radiate, To broadcast, To send,
To conceive, To retrieve, To conspire, To subvert, To invert, To absolve,
To gain, To loose, To drain, To drink, To drown, To stop, To communicate,
To mutate, To correspond, To eject, To rule, To eradicate.
adjectives/adverbs:
Mistaken, Contrary, Singular, Local, Contemporary, Public, (Psycho), Patho-Sociological,
Drenched, Oversaturated, Urban, Senseless, Speechless, Worshipped, Rural,
Blurred, Private, Communicative, Global, Lucid, Kind, Nice, Rough, Mild, Less,
Manifold, Plural, Focal.
names:
Derrida, Foucault, Brecht, Lacan, Freud, Deleuze, Bourriaud, Houellebeq, Lovecraft, Poe, Borges,
Alzheimer, Husserl, Heidegger, Marx, Hobbe, Spinoza, Sloterdijk, Hegel, Kranz, Benjamin, Plotinus.
Articles should use any or all the words given and should not exceed 500 words.
Deadline: 15 January 2010 Received entries to be published in Volume 12, issue 1, 2010
A. Andreas 2009
Augmented reality as cinematographic scrap.
A series of mash-ups mixing socio-geographical
data with vir(e)al spaces and
deranged iconic artifacts.
Variable sized digital c-prints & projections
on various surface materials.
Presented in random chronological order.
Featured in /Seconds, Issue #11 , 08/2009 Digital Arts Online Publication Curated by P. Lewis - UK::: /Seconds :::
Author unknown The Necrosocial Occupied UC Berkeley, 18 November 2009. Being president of the University of California is like being manager of a cemetery: there are many people under you, but no one is listening. - UC President Mark Yudof Capital is dead labor which, vampire-like, lives only by sucking living labor. - Karl Marx Politics is death that lives a human life. Achille Mbembe Yes, very much a cemetery. Only here there are no dirges, no prayers, only the repeated testing of our threshold for anxiety, humiliation, and debt. The classroom just like the workplace just like the university just like the state just like the economy manages our social death, translating what we once knew from high school, from work, from our family life into academic parlance, into acceptable forms of social conflict. ... [note from the editor]: It goes without saying that this subject concerns us deeply, i.e. the economics and politics of death. We will pay attention to this subject more often! Tuesday night 24/11/2009 from 23:45 @ Radio Scorpio Dirk Vekemans will read the above statement live from Leuven , Belgium.::: Original article :::
NICTOGLOBE RADIO - TV 88.3 FM Amsterdam
http://icecast.freeteam.nl/patapoe.m3u
20:15 Roland Hendriks plays John Cage's Sonatas for prepared
piano
Live recorded @ Peterburgs Project Place, Amsterdam NL,
30 October 2009
Enjoy! cf.:
::: Listen ::: ::: burgerwaanzin.nl ::: ::: Patapoe Schedule ::: ::: More :::
"Lists and Continua", culled from various things written by
In 1980 Michel de Certeau described an implicit dichotomy between production and consumption. On the production side were strategic institutions who had power, financial resources, and an established physical base of operations. On the consumption side were tactical users/consumers who lacked power but were more mobile than institutions. "A tactic is determined by the absence of power just as a strategy is organized by the postulation of power."[1]
::: Read article :::
Egon Schiele: “The work of art is sacred, too.”
E.F Schumacher: “…there can be nothing sacred in something that has a price.”
The awe which may have once greeted any one excellent work of art, is today more likely to be generated by the price it fetched when sold than anything to do with the work’s visual affect. How do we account for this apparent reversal?
Art, because of its uniqueness, and because it is the result of irreducible, complex human labour, never fitted into the Marxian conception of value and work – based as it was on factory production and its particular type of discipline. But in escaping that dreary paradigm, artists themselves have long struggled over the problem of authenticity and the commodity form and in so doing sought to challenge the separation between art and life.
::: Read article :::Videoprojectie - Hero Werkman, (4DW) AndroPro Productions 2003 de Open-Lucht Bioscoop zaterdag 5 September 20:30 & 22:00 Westerdoksdijk, Amsterdam
KLEBNIKOV CARNAVAL PROMOTION NIGHT WAAR: CAFE DE ENSOR, Diestesteenweg 133, Kessel-Lo achter het station 'woar is ie ieverans den diestse stieenweg astemblieft' WANNEER: zaterdag 23 mei vanaf 20u 30::: NKdE/ViLT/Grapes of Art :::
································································································
X**************************** X ************************X X NICTOGLOBE RADIO - TV X BURGERWAANZIN.NL X X**************************** X ************************X 0D0A gleich CRLF on Patapoe Radio! MJ presents Coming Saturday between 1800 and 2000: Communism in modern times, how to build a new society based on old models. Spiced with music from Kurt Weil; lyrics Bertold Brecht 'Rise and fall of the city of Mahagonny' recorded in 1972 by CBS inc played by Orchestra and chorus conducted by Wilhelm Brueckner Rueggeberg; produced by George Davis & George Avakian Have fun and learn how to build a complete and happy society! PS receive Radio Patapoe: http://icecast.freeteam.nl:8000/patapoe via the internet or when in Amsterdam, Holland on 88.30 MHz ! Regards 0D0A X**************************** X ************************X X NICTOGLOBE RADIO - TV X BURGERWAANZIN.NL X X**************************** X ************************XEnjoy! cf.:::: burgerwaan.nl :::
DDR special
Gisela May singt Eisler & Dessau
Hilmar Thate liedern von Hosalla, Dessau & Eisler
Die Mutter , Kantate von Hans Eisler
fuer chor mezzospopraan bariton Mehrere Sprecher und zwei Klavieren
Elisabeth Breul sopraan,
Enjoy! cf.:::: burgerwaan.nl :::
Portret RJG - Jan Bianchi
as found on margaretha haughwout's course in new media ...
Eccoci giunti al secondo appuntamento di “Interviewing the Crisis 2″ con Andreas Jacobs di Nictoglobe.
L’intervista di Andreas ha una natura del tutto particolare come potrete leggere voi stessi nel seguito dell’articolo.
Innanzi tutto Andreas non si presenta. Ovvero alla domanda risponde così “Ubi patria, ibi bene”, citazione che, come ho scoperto, riprende dalle “Tusculanae Disputationes - V Libro” di Cicerone.
La traduzione è “la patria è ovunque si stia bene”. Nictoglobe nasce nel 1982.
Buona lettura ...
::: Interviewing the crisis 2 :::
The RomaeuropaFAKEFactory competition originates from the “Freedom to Remix”
initiative, promoted by [A]rt is [O]pen [S]ource (Salvatore Iaconesi/xDxD and Oriana
Persico/penelope.di.pixel] and Marco Scialdone, with the support of DegradArte, ComputerLaw
2.0, NeRVi and Valeria Bochicchio.
RomaEuropaFAKEFactory constitutes a critical reaction to the "RomaEuropa Web Factory"
competition, organized by the Romaeuropa Foundation in partnership with Telecom Italia SpA,
subverting its logics.
The global dialogue on the free sharing of knowledge, on the new cultural and economic
models that can be implemented using digital technologies and their infinite possibilities in
adding value to human creativity using Internet's horizontal models, possibly identifies the
greatest instance towards evolution of the global society during these last few years. And its
reach is global, too, referring in multidisciplinary ways to politics, economy, culture,
environment and to the societies of relations, work, bodies and desire.
These are the reasons why "RomaEuropaFAKEFactory" organizers couldn't settle on
passively accepting the modalities through which the competition organized by the
Romaeuropa Foundation functions. The Romaeuropa Foundation is an important, institutionally
recognized, cultural operator supported by public institutions, whose mission (as can be read
in their official website) is “promoting, supporting and diffusing contemporary artistic creativity
in Italy and internationally”, enacting “a cultural policy based on diffusion and reflection on the
contemporary art world in the european area”.
The “Romaeuropa Web Factory” competition promoted by the Romaeuropa Foundation
and by Telecom Italia SpA substantially proposes young artists working multidisciplinarily on
the web to submit their artworks to participate to possibility of winning a prize of 5000 euros in
one of the provided categories: videoart, music, literture, production of advertisments.
How? No remixing, mashing-up, manipulating of any kind allowed.
read more ...
::: RomaEuropaFAKEFactory :::
(1) First-person perspective by supporting individuals in the exploration and development of their own subjective consciousness (e.g., meditation and other spiritual practices). Emphasis on inner knowing and personal transformation.
(2) Second-person perspective by exploring and supporting transformative relationships and intersubjective consciousness (e.g., compassionate dialogue, community building, collective wisdom). Emphasis on transformative learning and collective wisdom.
(3) Third-person perspective by gathering data about objective physiological correlates of consciousness (e.g., research using rigorous scientific protocols, including experiments in psi, mind-body healing, and subtle energies). Emphasis on scientific understanding.
These are the complementary elements to the study of the nous and it's noetic properties. As the modern study of the noetic subject in nous, noesis, noema via gnosiology covers multiple ways of knowing - including intuition, reason, and sensory perception in varying combinations. ouput (unicode): \&⠟⠥⠕⠞;⠠⠝⠑⠕⠏⠇⠁⠞⠕⠝⠊⠉ ⠠⠝⠕⠥⠎ ⠁⠝⠙ ⠠⠝⠕⠑⠞⠊⠉ ⠙⠊⠎⠉⠕⠥⠗⠎⠑\&⠟⠥⠕⠞; ⠠⠞⠓⠑ ⠠⠑⠝⠝⠑⠁⠙⠎ ⠕⠋ ⠠⠏⠇⠕⠞⠊⠝⠥⠎ ⠠⠏⠇⠁⠞⠕⠝⠊⠉ ⠏⠓⠊⠇⠕⠎⠕⠏⠓⠽ ⠁⠝⠙ ⠊⠝ ⠎⠏⠑⠉⠊⠋⠊⠉ ⠠⠝⠑⠕⠏⠇⠁⠞⠕⠝⠊⠉ ⠏⠓⠊⠇⠕⠎⠕⠏⠓⠽ ⠧⠊⠁ ⠞⠓⠑ ⠺⠕⠗⠅⠎ (⠉⠁⠇⠇⠑⠙ ⠞⠓⠑ ⠠⠑⠝⠝⠑⠁⠙⠎) ⠕⠋ ⠠⠏⠇⠕⠞⠊⠝⠥⠎ ⠎⠕⠥⠛⠓⠞ ⠞⠕ ⠉⠇⠁⠗⠊⠋⠽ ⠞⠓⠑ ⠏⠓⠊⠇⠕⠎⠕⠏⠓⠊⠉⠁⠇ ⠁⠝⠙ ⠗⠑⠇⠊⠛⠊⠕⠥⠎ ⠥⠝⠙⠑⠗⠎⠞⠁⠝⠙⠊⠝⠛ ⠕⠋ ⠞⠓⠑ ⠑⠭⠏⠑⠗⠊⠑⠝⠉⠑ ⠕⠋ ⠉⠕⠝⠎⠉⠊⠕⠥⠎⠝⠑⠎⠎. ⠠⠉⠕⠝⠎⠉⠊⠕⠥⠎⠝⠑⠎⠎ ⠊⠝ ⠠⠛⠗⠑⠑⠅ ⠏⠓⠊⠇⠕⠎⠕⠏⠓⠽ ⠃⠑⠊⠝⠛ ⠗⠑⠏⠗⠑⠎⠑⠝⠞⠑⠙ ⠁⠎ ⠞⠓⠑ ⠞⠓⠑ ⠝⠕⠥⠎. ⠠⠞⠓⠑ ⠋⠥⠝⠉⠞⠊⠕⠝⠎ ⠕⠋ ⠞⠓⠑ ⠝⠕⠥⠎ ⠃⠑⠊⠝⠛ ⠗⠑⠋⠑⠗⠗⠑⠙ ⠞⠕ ⠁⠎ ⠝⠕⠑⠎⠊⠎. ⠠⠞⠓⠑⠎⠑ ⠞⠽⠏⠑⠎ ⠕⠋ ⠝⠕⠑⠎⠊⠎ ⠃⠑⠊⠝⠛ ⠍⠥⠇⠞⠊⠏⠇⠑ ⠺⠁⠽⠎ ⠕⠋ ⠅⠝⠕⠺⠊⠝⠛ - ⠊⠝⠉⠇⠥⠙⠊⠝⠛ ⠊⠝⠞⠥⠊⠞⠊⠕⠝, ⠋⠑⠑⠇⠊⠝⠛, ⠗⠑⠁⠎⠕⠝, ⠁⠝⠙ ⠞⠓⠑ ⠎⠑⠝⠎⠑⠎. ⠠⠏⠇⠕⠞⠊⠝⠥⠎ ⠞⠁⠥⠛⠓⠞ ⠁ ⠙⠊⠎⠉⠊⠏⠇⠊⠝⠑⠙ ⠊⠝⠟⠥⠊⠗⠽ ⠊⠝⠞⠕ ⠞⠓⠑ \&⠟⠥⠕⠞;⠊⠝⠝⠑⠗ ⠉⠕⠎⠍⠕⠎\&⠟⠥⠕⠞; ⠕⠋ ⠞⠓⠑ ⠝⠕⠥⠎ (⠉⠕⠝⠎⠉⠊⠕⠥⠎⠝⠑⠎⠎, ⠎⠕⠥⠇, ⠎⠏⠊⠗⠊⠞) ⠁⠝⠙ ⠓⠕⠺ ⠊⠞ ⠗⠑⠇⠁⠞⠑⠎ ⠞⠕ ⠞⠓⠑ \&⠟⠥⠕⠞;⠕⠥⠞⠑⠗ ⠉⠕⠎⠍⠕⠎\&⠟⠥⠕⠞; ⠕⠋ ⠞⠓⠑ ⠏⠓⠽⠎⠊⠉⠁⠇ ⠺⠕⠗⠇⠙. ⠠⠏⠇⠕⠞⠊⠝⠥⠎ ⠁⠎ ⠁⠝ ⠏⠗⠕⠏⠕⠝⠑⠝⠞ ⠕⠋ ⠠⠏⠓⠊⠇⠕⠎⠕⠏⠓⠊⠉⠁⠇ ⠊⠙⠑⠁⠇⠊⠎⠍ ⠞⠁⠥⠛⠓⠞ ⠞⠓⠁⠞ ⠑⠭⠞⠑⠗⠝⠁⠇ ⠺⠕⠗⠇⠙ ⠺⠁⠎ ⠁ ⠉⠕⠝⠎⠞⠗⠥⠉⠞ ⠕⠋ ⠞⠓⠑ ⠝⠕⠥⠎. ⠠⠏⠇⠕⠞⠊⠝⠥⠎\&#⠼⠼⠚⠼⠉⠼⠊; ⠥⠎⠑ ⠕⠋ ⠞⠓⠑ ⠝⠕⠥⠎ ⠑⠝⠉⠕⠍⠏⠁⠎⠎⠑⠎: (⠼⠁) ⠠⠋⠊⠗⠎⠞-⠏⠑⠗⠎⠕⠝ ⠏⠑⠗⠎⠏⠑⠉⠞⠊⠧⠑ ⠃⠽ ⠎⠥⠏⠏⠕⠗⠞⠊⠝⠛ ⠊⠝⠙⠊⠧⠊⠙⠥⠁⠇⠎ ⠊⠝ ⠞⠓⠑ ⠑⠭⠏⠇⠕⠗⠁⠞⠊⠕⠝ ⠁⠝⠙ ⠙⠑⠧⠑⠇⠕⠏⠍⠑⠝⠞ ⠕⠋ ⠞⠓⠑⠊⠗ ⠕⠺⠝ ⠎⠥⠃⠚⠑⠉⠞⠊⠧⠑ ⠉⠕⠝⠎⠉⠊⠕⠥⠎⠝⠑⠎⠎ (⠑.⠛., ⠍⠑⠙⠊⠞⠁⠞⠊⠕⠝ ⠁⠝⠙ ⠕⠞⠓⠑⠗ ⠎⠏⠊⠗⠊⠞⠥⠁⠇ ⠏⠗⠁⠉⠞⠊⠉⠑⠎). ⠠⠑⠍⠏⠓⠁⠎⠊⠎ ⠕⠝ ⠊⠝⠝⠑⠗ ⠅⠝⠕⠺⠊⠝⠛ ⠁⠝⠙ ⠏⠑⠗⠎⠕⠝⠁⠇ ⠞⠗⠁⠝⠎⠋⠕⠗⠍⠁⠞⠊⠕⠝. (⠼⠃) ⠠⠎⠑⠉⠕⠝⠙-⠏⠑⠗⠎⠕⠝ ⠏⠑⠗⠎⠏⠑⠉⠞⠊⠧⠑ ⠃⠽ ⠑⠭⠏⠇⠕⠗⠊⠝⠛ ⠁⠝⠙ ⠎⠥⠏⠏⠕⠗⠞⠊⠝⠛ ⠞⠗⠁⠝⠎⠋⠕⠗⠍⠁⠞⠊⠧⠑ ⠗⠑⠇⠁⠞⠊⠕⠝⠎⠓⠊⠏⠎ ⠁⠝⠙ ⠊⠝⠞⠑⠗⠎⠥⠃⠚⠑⠉⠞⠊⠧⠑ ⠉⠕⠝⠎⠉⠊⠕⠥⠎⠝⠑⠎⠎ (⠑.⠛., ⠉⠕⠍⠏⠁⠎⠎⠊⠕⠝⠁⠞⠑ ⠙⠊⠁⠇⠕⠛⠥⠑, ⠉⠕⠍⠍⠥⠝⠊⠞⠽ ⠃⠥⠊⠇⠙⠊⠝⠛, ⠉⠕⠇⠇⠑⠉⠞⠊⠧⠑ ⠺⠊⠎⠙⠕⠍). ⠠⠑⠍⠏⠓⠁⠎⠊⠎ ⠕⠝ ⠞⠗⠁⠝⠎⠋⠕⠗⠍⠁⠞⠊⠧⠑ ⠇⠑⠁⠗⠝⠊⠝⠛ ⠁⠝⠙ ⠉⠕⠇⠇⠑⠉⠞⠊⠧⠑ ⠺⠊⠎⠙⠕⠍. (⠼⠉) ⠠⠞⠓⠊⠗⠙-⠏⠑⠗⠎⠕⠝ ⠏⠑⠗⠎⠏⠑⠉⠞⠊⠧⠑ ⠃⠽ ⠛⠁⠞⠓⠑⠗⠊⠝⠛ ⠙⠁⠞⠁ ⠁⠃⠕⠥⠞ ⠕⠃⠚⠑⠉⠞⠊⠧⠑ ⠏⠓⠽⠎⠊⠕⠇⠕⠛⠊⠉⠁⠇ ⠉⠕⠗⠗⠑⠇⠁⠞⠑⠎ ⠕⠋ ⠉⠕⠝⠎⠉⠊⠕⠥⠎⠝⠑⠎⠎ (⠑.⠛., ⠗⠑⠎⠑⠁⠗⠉⠓ ⠥⠎⠊⠝⠛ ⠗⠊⠛⠕⠗⠕⠥⠎ ⠎⠉⠊⠑⠝⠞⠊⠋⠊⠉ ⠏⠗⠕⠞⠕⠉⠕⠇⠎, ⠊⠝⠉⠇⠥⠙⠊⠝⠛ ⠑⠭⠏⠑⠗⠊⠍⠑⠝⠞⠎ ⠊⠝ ⠏⠎⠊, ⠍⠊⠝⠙-⠃⠕⠙⠽ ⠓⠑⠁⠇⠊⠝⠛, ⠁⠝⠙ ⠎⠥⠃⠞⠇⠑ ⠑⠝⠑⠗⠛⠊⠑⠎). ⠠⠑⠍⠏⠓⠁⠎⠊⠎ ⠕⠝ ⠎⠉⠊⠑⠝⠞⠊⠋⠊⠉ ⠥⠝⠙⠑⠗⠎⠞⠁⠝⠙⠊⠝⠛. ⠠⠞⠓⠑⠎⠑ ⠁⠗⠑ ⠞⠓⠑ ⠉⠕⠍⠏⠇⠑⠍⠑⠝⠞⠁⠗⠽ ⠑⠇⠑⠍⠑⠝⠞⠎ ⠞⠕ ⠞⠓⠑ ⠎⠞⠥⠙⠽ ⠕⠋ ⠞⠓⠑ ⠝⠕⠥⠎ ⠁⠝⠙ ⠊⠞\&#⠼⠚⠼⠉⠼⠊;⠎ ⠝⠕⠑⠞⠊⠉ ⠏⠗⠕⠏⠑⠗⠞⠊⠑⠎. ⠠⠁⠎ ⠞⠓⠑ ⠍⠕⠙⠑⠗⠝ ⠎⠞⠥⠙⠽ ⠕⠋ ⠞⠓⠑ ⠝⠕⠑⠞⠊⠉ ⠎⠥⠃⠚⠑⠉⠞ ⠊⠝ ⠝⠕⠥⠎, ⠝⠕⠑⠎⠊⠎, ⠝⠕⠑⠍⠁ ⠧⠊⠁ ⠛⠝⠕⠎⠊⠕⠇⠕⠛⠽ ⠉⠕⠧⠑⠗⠎ ⠍⠥⠇⠞⠊⠏⠇⠑ ⠺⠁⠽⠎ ⠕⠋ ⠅⠝⠕⠺⠊⠝⠛ - ⠊⠝⠉⠇⠥⠙⠊⠝⠛ ⠊⠝⠞⠥⠊⠞⠊⠕⠝, ⠗⠑⠁⠎⠕⠝, ⠁⠝⠙ ⠎⠑⠝⠎⠕⠗⠽ ⠏⠑⠗⠉⠑⠏⠞⠊⠕⠝ ⠊⠝ ⠧⠁⠗⠽⠊⠝⠛ ⠉⠕⠍⠃⠊⠝⠁⠞⠊⠕⠝⠎.
de-nominations:
demented ghost-bodies
printing their impressions
upon that layer in between
touch & words
AA
rendered as utf-8 braille
[⠠⠉][⠠⠓][⠠⠗][⠠⠊⠠⠎][⠠⠞⠠⠥][⠠⠊⠠⠎][⠠⠞] ⠠⠉⠗⠊⠎⠊⠎, ⠠⠗⠑⠁⠉⠞⠊⠕⠝, ⠁⠝⠙ ⠞⠓⠑ ⠠⠎⠞⠁⠞⠑\&#⠼⠚⠼⠉⠼⠊;⠎ ⠗⠑-⠏⠗⠑⠎⠑⠝⠞⠁⠞⠊⠕⠝⠁⠇ ⠗⠑⠎⠏⠕⠝⠎⠊⠃⠊⠇⠊⠞⠊⠑⠎ ⠞⠕⠺⠁⠗⠙⠎ ⠊⠞⠎ ⠠⠉⠊⠧⠊⠇⠊⠁⠝⠎ (⠺!⠞!⠋! [⠗⠑⠙.]) ⠙⠑-⠝⠕⠍⠊⠝⠁⠞⠊⠕⠝⠎: ⠙⠑⠍⠑⠝⠞⠑⠙ ⠛⠓⠕⠎⠞-⠃⠕⠙⠊⠑⠎ ⠏⠗⠊⠝⠞⠊⠝⠛ ⠞⠓⠑⠊⠗ ⠊⠍⠏⠗⠑⠎⠎⠊⠕⠝⠎ ⠥⠏⠕⠝ ⠞⠓⠁⠞ ⠇⠁⠽⠑⠗ ⠊⠝ ⠃⠑⠞⠺⠑⠑⠝ ⠞⠕⠥⠉⠓ &⠁⠍⠏; ⠺⠕⠗⠙⠎ ⠠⠁⠠⠁
::: UNP ::: union of nova-mental pornograffiticans :::
::: HERRINNERT ::: DE INDIANEN ::: LES PEAUX-ROUGES :::
Solidarity for the people of Palestina.[red.]
::: more ::: Gregg Murray, Bjørn Magnhildøen & A. Andreas,
Rearranged and sonofied for inclusion in our new collaborative networked E-Mail Opera: 'I Wonder how their Voices Sound'
Anyone able to locate Bob's Compendium, using the facts here given, and! sending us a verifiable mp3 file with the voiced text of one of the original contributors to audio{at}nictoglobe{dot}com,
is assured of her/his piece being incorporated in the opera and tribute being paid to her/his name.
Submissions can be made by both individllective contributors
Scheduled Premiere: Winter 2009.[red.]
Prehear:
::: Gregg Murray :::
::: Bjørn Magnhildøen :::
::: A. Andreas :::
Part Two:Concrete Spuistraat, Amsterdam 2008
Sloop Westerdoksdijk 11hs, Amsterdam 2004: De Schoorsteen
Balcony, Clay & Spoon, Groundview, JV & AA 2008
Blackout Europe ... 'We believe in a free Internet – do you?'
G20 Top 2009 - London GB / Strasbourg FR
⠊⠗⠼⠉⠁⠃⠋@⠝⠊⠉⠞⠕⠛⠇⠕⠃⠑.⠉⠕⠍ ⠍⠕⠃⠇⠕⠛ ⠏⠕⠎⠞ ⠉⠥⠇⠞⠥⠗⠁⠇ ⠊⠝⠞⠑⠗⠙⠗⠕⠛⠁⠞⠊⠕⠝⠎
ir3abf@nictoglobe.com moblog post cultural interdrogations
I-WEP, Instantaneous Worldwide E-Publishing
One entry found.
Main Entry:
in·stan·ta·neous Listen to the pronunciation of instantaneous
Pronunciation:
\ˌin(t)-stən-ˈtā-nē-əs, -nyəs\
Function:
adjective
Etymology:
Medieval Latin instantaneus, from instant-, instans, noun
Date:
1651
1 : done, occurring, or acting without any perceptible duration of time
Post Cultural Interrogations
Call for submissions: Deadline, April 30, 2009
'[N]on-Existence in a post-cultural environment ... , neither in a
textual or literary, nor in a visual or iconological sense. [A.A. 2009]'
W(o)u(r)n(l)d generating oppositions & other hidden,
rigid mind-penetrating dogma's
What is it then that clings us to our perceived realities?
and how can we free ourselves from this behavioral slavery?
Researching these & other questions
is the subject of our running call for submissions:
«Post Cultural Interrogations»
Participate?
Send your (cellphone) text's, photo's to:
ir3abf <at> nictoglobe <dot> com
All entries will be available after 2 minutes
Thanks for your participation!
I-WEP @ Nictoglobe . EU
::: Link :::
RomaEuropeFakeFactory
REFFerence 19 - 21 March 2009:RomaEuropeFakeFactory 19 - 20 March 2009
@
Senato della Repubblica, via di S. Chiara 4 - Roma, Italy
«Friday 19 March 2009 - Presentation & Debat 10:00-14:30 CEST »
Internet rights, freedom of information exchange, legal issues, law-art and more.
Dekember 1987-2005
: ⠼⠃⠼⠁⠼⠃⠼⠓: ⠠⠃⠇⠁⠎⠞ ⠠⠺⠁⠗ ⠠⠝⠥⠍⠃⠑⠗ ⠼⠃⠼⠁⠼⠃⠼⠓:: ⠠⠃⠇⠁⠎⠞ ⠠⠺⠁⠗ ⠠⠝⠥⠍⠃⠑⠗
Cultural interventions:
«A Society, free of greed and discomfort»
Subject:
2128: Blast War Number
In Modeum Robert Jasper Grootveld (1932-2009)
audioimpressie wake Ruigoord 6 maart j.l. - nictoglobe-radiotv
19 juli 1932 – 26 februari 2009
Uitvaart van Robert Jasper Grootveld 19 juli 1932 – 26 februari 2009
Vrijdag 6 maart wordt vanaf 20.00 uur in de kerk van Ruigoord een wake
gehouden.
Zaterdag 7 maart:
11.00 uur Verzamelen bij het Lieverdje, waar een banier onthuld zal
worden over het leven van Robert Jasper Grootveld. Daarna loopt de
rouwstoet naar de kerk aan het Singel.
• 11.45 uur Aanvang afscheidsbijeenkomst in de Doopsgezinde Singelkerk,
Singel 452.
• 13.30 uur Einde afscheidsbijeenkomst. Voor de kerk zal RJG op een
vlot gedragen worden.
• 14.00 uur Vertrek van de vlottenvloot over de Amstel naar
begraafplaats Zorgvlied.
Iedereen is uitgenodigd met eigen vaartuigen mee te varen.
Hiervoor kan verzameld worden bij de kerk, of in de buurt van de
Stopera. Anderen kunnen meefietsen.
• 16.00 uur Aankomst bij Zorgvlied met ontvangst door een
kunstenaarsgroep. Aansluitend begrafenis.
• 16.30 uur Einde begrafenis. Vertrek naar het voormalige
Volkskrantgebouw, Wibautstraat 150, waar in café-restaurant Canvas
op de zevende verdieping gelegenheid is om na te praten.
We nodigen u uit vrijdag en/of zaterdag aanwezig te zijn & anders
www.robertjaspergrootveld.nl
Het is een lange dag, zorg zelf voor voldoende versnaperingen.
PS Wij verzoeken u deze uitnodiging door te mailen aan mensen in uw
eigen kennissenkring die ook afscheid willen nemen van
Robert Jasper Grootveld
Met vragen kunt u terecht bij Ellen Wierda (info@drijvendetuinen.nl)
of Merel Westermann 06-44980703 (uitvaartbegeleiding)
Tjebbe van Tijen
Imaginary Museum Projects
Dramatizing Historical Information
http://imaginarymuseum.org
______________________________________________________
* Verspreid via nettime-nl. Commercieel gebruik niet
* toegestaan zonder toestemming.
Friction Research KFSapiensSapiens Poderiu
previewing friction research - to be published 28/02/2009
Iconomics Iconologics Iconomicality
So, history repeats itself again, again, again and again and again. Just after the war collaborators were imprisoned in Camp Westerbork...Is the resemblance to Guatanamo bay coincidental?
Downloading Communism
thanks margaretha[red.]
::: senior reading seminar in new media :::
Net Art Interviste Web&Blog
pubblicato: martedì 10 febbraio 2009 da penelope.di.pixel in:
RomaEuropaFAKEFactory: “Freedom to Remix”
international videoart, music, literature and legislative art competition
"Neoplatonic Nous and Noetic discourse"
The Enneads of Plotinus
Platonic philosophy and in specific Neoplatonic philosophy via the works (called the Enneads) of Plotinus sought to clarify the philosophical and religious understanding of the experience of consciousness. Consciousness in Greek philosophy being represented as the the nous. The functions of the nous being referred to as noesis. These types of noesis being multiple ways of knowing - including intuition, feeling, reason, and the senses. Plotinus taught a disciplined inquiry into the "inner cosmos" of the nous (consciousness, soul, spirit) and how it relates to the "outer cosmos" of the physical world. Plotinus as an proponent of Philosophical idealism taught that external world was a construct of the nous. Plotinus' use of the nous encompasses:
rendered in utf-8 braille:
::: more :::
"se ieri non è domani"
A PARTE TUTTI IL DORSO NERO, TUTTI EVA HENGER (A)[red.])
KISSINGER UNITED COMUNICATION COMPANY 3269 86627464 TRANSCRIBET 150109
::: D. Tomasini 2009 :::
[C][H][R][IS][TU][IS][T]
Crisis, Reaction, and the State's re-presentational responsibilities towards its Civilians (w!t!f! [red.])
::: cf.: Egotism; or, The Bossom-Serpent - Nathaniel Hawthorne 1843 :::
Il secondo ciclo di "Interviewing The Crisis"
29 Jan 2009
Dopo la trilogia, parte il secondo ciclo di "Interviewing The Crisis"
pubblicato: mercoledì 28 gennaio 2009 da penelope.di.pixel in: Interviste Web&Blog
Tra il 25 dicembre e l’8 gennaio abbiamo pubblicato su ArtsBlog una trilogia di interviste dedicate alla crisi finanziaria internazionale. Tre tappe, New York - Londra - Torino, coinvolgendo nell’ordine Helen Toringhthon e Joanne Green di Turbulence.org, Marc Garrett di NetBehaviour/Furtherfield, Simona Lodi del Piemonte Share Festival.
L’idea di un viaggio nella crisi che attraverso il multiforme e spesso sconosciuto “spazio” della new media art, nasce da una conversazione via e-mail sul deteriorarsi della situazione negli USA fra Helen Toringhthon e xDxD - artista, haker e esperto di innovazione tecnologica, con cui destino vuole che io viva e lavori da due anni. xDxD mi propone l’idea dell’intervista, che subito si trasforma nella prima trilogia. Il nostro obiettivo era analizzare la crisi attraverso le esperienze di chi “opera” nel settore, ma soprattutto interrogarli su una questione fondamentale: l’arte contemporanea (dalla net.art in poi) e i modelli (sociali, antropologici, economici, politici) da essa scaturiti possono rappresentare alternative percorribili con cui affrontare una crisi dalla caratteristiche “(eco)sistemiche”, quale quella attuale?
Le interviste hanno avuto un ottimo riscontro a livello internazionale, suscitando l’interesse e l’attenzione dei media, ma soprattutto di promotori di progetti, network ed esperienze artistiche grazie ai quali siamo pronti a partire con un secondo ciclo di interviste. Otto i nuovi protagonisti che vi anticipo (elenco in ordine alfabetico):
Stefano Coletto - Fondazione Bevilacqua La Masa (Italia)
Carlo Infante - Performingmedia.org (Italia)
Andreas Jacobs - NictoGlobe (Netherlands)
Robert Labossiere - Department of Culture (Canada)
Alessandro Ludovico - Neural.it (Italia)
Marisa Olson - Rizhome.org (USA)
Francesco “Warbeaear” Macarone Palmieri - Phagoff (Italia)
Ricardo Ruiz - Descentro (Brasile)
Il progetto sfocerà in una pubblicazione collettiva, di cui ArtsBlog è nuovamente protagonista: le interviste saranno mano mano pubblicate sul blog, per essere successivamente raccolte sul sito dedicato “InterviewingTheCrisis” (la foto in alto raffigura il simpatico banchiere alato che ne sarà il logo). Per quanto riguarda il nuovo ciclo di interviste, partiremo con Carlo Infante di PerformingMedia. La pubblicazione è prevista il giovedì 5 febbraio. La seconda intervista sarà invece con Andreas Jacobs di Nictoglobe, per il 15 febbraio.
Speriamo con ciò di riuscire a mantenere una cadenza settimanale per le prossime interviste, che dovrebbero così chiudersi a marzo: idealmente un modo di salutare l’inverno e accogliere la primavera…
Zindabad! Zindabad!
20 Jan 2009
Een bevolkingsgroep heb ik erg gemist bij de inhuldiging van de eerste 'mixed race' president van Amerika, de native americans oftewel
Hamburg nach den Luftangriffen
Sommer 1943
»Hamburger Feuersturm« steht fuer den großen, sich über mehrere Tage hinziehenden Luftangriff auf Hamburg im Sommer 1943.
Etwa 35.000 Menschen verloren dabei ihr Leben.
(Bild: Landesmedienzentrum Hamburg)
Interviewing the Crisis
financial crisis, reaction, innovation, new models
1918 - 1819
The Sirius Star arriving at the Shores of Sfax, 1819
Das Kapital ist der wirkliche Aggressor!
Epiphanie 2009, Israelitische aanval op de Filistijnen
|f||||3:
>>>Yes, but ...
>>>Das Kapital does not operate outside of humans.
>>>Thus we return to the common issue of Prostitution
>>>aka Corruption aka (advanced occident) Democracy.
>>>Which is why it is imperative we bring about a higher order consciousness
>>>and throw the simply inferior western democracy into the trashbin.
>>>A consciousness so deep that it will become a predisposition.
ajaco:
>>Das Kapital ist der wirklichen Agressor!
|f||||3:
>an nou fericit!
U
N
+ 2 the Hollow Caustic “zit’s a waw on tergwor” Land Thieving Neo-Nazi Zionist Regime
+ 4 the '1st world' 'Civilized' Terrorist States financing the 'civilized' genocide
+ 2 the Arab prostitutes regimes
N
U
We will not be silent. We are your bad conscience. The White Rose will not leave you in peace!
Zig Heil
lieH giZ
Zig Heil
lieH giZ
Issrael ! _\- ProgreSS is Inevitable!
-
http://english.aljazeera.net/programmes/2009/01/20091212747451921.html
http://www.youtube.com/watch?v=C3fXNq2cU_c
http://www.youtube.com/watch?v=C-DGBHPMe5c&feature=channel
http://www.youtube.com/watch?v=Ain9mx4ZWFU&feature=channel
http://www.youtube.com/watch?v=l0aEo59c7zU&NR=1
http://www.youtube.com/watch?v=ynWjYHP91gA&NR=1
-----Syndicate mailinglist-----------------------
Syndicate network for media culture and media art
information and archive: http://syndicate.anart.no
to post to the Syndicate list:
::: Andreas Maria Jacobs (Editor Nictoglobe) :::
Freunde
Judith V., The Frontline Princess
::: uit : Gedichten van Jonkheer 7, Judith V. 2009 :::
Mijn bord bleef leeg toen zijn naam werd uitgekwaakt.
Onmacht veelt nu de naargeestige spiegel van schuld,
de belediging stipt kwade sprookjes in het derde oog.
De vriend, in bed geschoten met bleke herinneringen,
is de heerser van het bos.
Wanneer het loof is afgekauwd
als door schapen het hoge gras
blijven boomhoog de vragen
en trekken narren dansend
naar het sapgroene kruis.
Ware niet mijn tenen gekromd
dan viel ik uit de boom des levens
met de stuit in de grond,
daar,
waar de roos zich in het hart boort
het smekend wetten van tranen
lanen afloopt op wangen
tot het verdriet zich heiligt,
is mijn god.
Toch vergrepen monden zich
aan het levende lichaam dat,
nors afstevenend op het vuur
met hetzelfde loopje
als de (g)ek(r)oo(n)de daemon,
in zwarte brokken geschilde huid ontvlamt
en vlagen het kermen vervoert
tot aan de rand van de dood,
waar de vereffening ver-ast.
Gestorven is hij.
In de dalen, mijmert een bede nog naar de zonzijde,
haar warme lei voelt passende woorden.
Een vogel wenkt, vrij in vangen,
vlerken vol monologen, een ruchtbare tocht
die nergens zoveel schade brengt dan aan de ziel,
Het aardse, dat geklemd tussen de kaken
in de hoogte wordt losgelaten
(als) uit de lucht gevallen keien des doods.
Judith V. - 5 Januari 2009
London Ghost Climax
Frau Herrschaft
Was ist mit dem Jungen?
New York - NEW SCHOOL UNIVERSITY IS NOW OCCUPIED
::: more :::
la Voce del Suono di Morte
Athens - 1-POLICE-CLOWNS-ANARCHISTS
I Wonder how their Voices Sound
Little Wryting Play Act IV, Scene XXIII, a compendium by Bob BrueckL with parts of several authors as originally appeared on the Theory & Wryting list, 2008.
When We Was Strange Birds
Conceived from an e-mail correspondence between Bobbi Lurie and A. Andreas.
Originally appeared in Theory & Wryting summer 2008. [red.]
More Sequences
Angels
NEWS
NEW CD 23-TRACKS AUDIO STUDIES NOVEMBER 2008
"SPOIL"
DANY TOMASINI AUDIO ARCHIVE
ANGELS - MALAK
DT 11 2008 ++25% +012345679+ מלאך MALAK
'.:' Sequences
Kirov Report
Denis Tomassini reporting from Italy, Europe
about the assassination of Sergei Kirov, December 1934.(ed.)
Augmented reality: concrete amsterdam
A series of mash-up's mixing real reality spaces with virtual images.
Part of our ongoing Friction Research project. (ed.)
Update burgerwaanzin.nl (in dutch)
In Modeum Rudolf Hess(1986)
La Resocialiste(2008)
